Editready keywords11/28/2023 One nice thing about this update is that the EditReady team is honest about the technical but also commercial limitations of implementing RAW. But having the ability to manipulate proprietary RAW files as you see fit is just the cherry on top. Just for the ability to deal with dailies from ProRes RAW alone, it's worth the price of admission. With this update to EditReady, you can fire up a powerful system, plug in your ProRes RAW files, then crank out lightweight ProResLT 720p files to edit with and have a fast, fluid edit process on even an older or less powerful system.įor us, EditReady is going to be the main choice for tight turnaround jobs where you need your dailies as fast as possible, and all ProRes RAW jobs (we're looking at you, DJI 4D).įor jobs with more time, we're still likely going to do dailies in Resolve since we like being able to do a quick look at the color and make sure things are "roughed in" before we send them off to editorial, but there isn't always the time or the need to do that, and that's where EditReady really shines. You aren't going to want to put that in your 2015 laptop and create proxies. You have to use their internal dailies tools to make your proxy files, and depending on your setup, you might not love those tools. Sure, you can currently work with ProRes RAW files natively in FCPX, Premiere, and Media Encoder, but you are doing that on their terms. This is why the newest update for EditReady, adding full RAW support to a host of camera native RAW formats but best of all ProRes RAW, is huge. But Resolve currently doesn't support ProRes RAW, and isn't likely into the future, though we can keep hoping the support will come. The biggest competition is of course Resolve, since it's the fastest, and it's free. If you have to get footage from your camera format to ProRes or DNxHD for editing, it offers a really compelling option with speeds that can be 2x Resolve, 3x Premiere, and 5x Media Encoder.īecause all it does is transcode, that's where the devs put all their effort, and depending on hard drives and source format, it can scream. And EditReady is designed with the future in mind - it’s ready to adopt new formats and workflows.EditReady has long been one of our favorite transcoding tools for not only its simplicity, but also its speed. It leverages hardware accelerated video decoding, OpenCL image processing, and every CPU cycle your system has to spare. Modern, Blazing Fast, Ready for the FutureĮditReady is designed to take advantage of all of the power available on modern Macs. You can even use metadata to generate filenames for your transcoded files. Manually add location data if your camera didn’t store it, or set a reel name for all of your files. Modern cameras store GPS data, lens settings, diagnostic data, and more. EditReady also allows you to override the framerate on your converted files, for pristine slow-motion with your 60p or 120p footage.ĮditReady provides a rich metadata viewer and editor. You can apply LUTs to your video during conversion to set a specific look or convert your Log footage into Linear. In addition to transcoding to professional formats like ProRes, DNxHD, and H.264, EditReady makes it easy to prep your footage for screening and editing. MOV, MP4 and MXF media can all be quickly converted to edit ready quicktime movies in ProRes or DNxHD. EditReady provides easy, fast and powerful transcoding for video professionals, without an overwhelming interface or outdated format choices.
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